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As the “A” string inside the piano vibrates, it creates waves of vibration. However, there are also other vibrations going on and the majority of these vibrations are directly related to the 440 Hz we began with. What’s actually happening though is that your ear is receiving vibrations in the ear and these vibrations are moving 440 times every second (440 Hz). This time, the note will sound higher than the previous “C”.
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If you now strike the “A” you’ll hear a single note once again. I’m using the “A” because it makes the maths easier. To explain this, I’m going to talk about the note called “A” which is a few notes above “Middle C”. The reason for this is the creation of resonance and harmonics. If you were to walk up to a piano and strike the key known as “Middle C”, you would hear a note – just one single note, but that note will have a quality very different to the same note on another piano or on a violin. Different glasses will vibrate at different speeds of movement and will create different notes as a result. As a result, the whole glass vibrates together and forms a beautiful clear note. If you get the speed of your finger movements correct, the vibrations you create, match the natural vibration frequency of the glass.
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Your finger running on the edge of the glass creates vibrations. Have you ever run your finger around the rim of a glass to create a musical note? That’s the same concept. Harmonics are the sympathetic vibrations that occur along with the note that you’re creating. just about any instrument other than electronic synthesizers), you are creating harmonics. If you haven’t heard of harmonics, don’t worry – here’s a short explanation.Īnytime you play an instrument that uses a string or air to create sound (i.e. If you’ve played certain musical instruments (particularly stringed instruments), you might have even deliberately created pure harmonics. You might have heard of harmonics before. For this final part of the article, you need to keep this concept of a musical “picture” in mind because this final concept is all about the hidden magic within the picture, not the individual, identifiable details. removing sounds that we theoretically won’t hear) and also the impact that this removal has on the overall “picture” created by the sound. Here’s a link: Understanding MP3s (and other compressed music) – Part 1īy the end of Part 2 you hopefully have an understanding of the process of compression (i.e. If you haven’t read from the beginning, it’d be a good idea.
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